Reviews by fernando

Tender, simple, film in the streets of Berlin. Trascendent adventure without any ambition of being so. Wilder before laughing at everything.

The flavour is in details, in support characters as loser Raymond Walburn flirting with Margaret Hamilton, William 'happy' Demarest, the songs in natural popular voices of people in the way.

Modern comedy (a convention of mayors in Frisco, with urban infreastructure being sold in the lobby) with old clisés and storytelling. Good pair.

A minor Premminger in despite of cast, consciousness and topic. It lacks Tennesee Willimans or Faulkner's decadence or southern charisma. At least, Old Otto amuses himself in sexy details as Jane simulating a b,ow job with Caine's trumpet.

Echoes of road movie, new tex mex thriller, fury on the road, a brother redeemed in making his bro rich without aparent guilt, and Jeff Bridges who understand all.

Rip y Paz Alicia en su garbanzal. Una summa teológica ligera de su mundo, en blanco y negro para simplificar. La idea de que las putas se convierten en asesinas accidentales y los enanos en arrechos accidentados porque les dieron una dosis de somnífero para grandes; es preciosa. Y ni siquiera está subrayada.

Natural, cálida, divertida, se dicen cosas fuertes de manera suave e inocente. La sumisión de Val y la impertinencia de su hija, el paternalismo hipócrita d ela duela de casa, la libido del dueño, todo es creíble.

Too long but good angle to see the transsexual and transgender drama: what happens to the straight couple when the man turns to be the woman he wants to be.

A little aged: little clisés and stereotyped little characters among the way, the 'real time' narration is not too real. But a great sad ending. One of the best Douglas.

Crude tale of rabbits as a running anguished race. Blood and shadows and a pretty sequence of a premonition.