Reviews by fernando

It avoids being too corny becuase in the end they all are punished for the christmas. The singinf royal germans, are not convincing; you're not sure if they are acting our of love or has something against nazis...

Nice to revisit. The force is not on the ring, bur outside, in the realtionship, luminous and ludicrous, with Kathy. The selfpunishment of throwing ice on his parts to avoid sex with her, is as elocuent as boxing against the wall.

Have to see it twice to cathc its nightmarish compulsive, multireference, dramatic tone. It starts in a identity mistaken plot, and goes everywhere...

Really bad, but agile. Lousy dialogues, good cast. Sanda just wanders in an impossible village of Peru 1948, but is contemporary mexican coast.

Jarmush at its height, minimalist while colourful, 3 stories add up to build a city full of decadence and reference, and tender approach to everybody.

Of course Lars is intense, more foggy than deep, playful with dark and evil and anxiety, great photographer of nature, picturesque...

Nikita goes to Italy and catches splendorous Marcello, romantic and vivid (picking Elena Safonova's hat in the mud pound), with almost epic (the trip tu Russia and the gypsy company)and decadence at the end...

Not fantastic, but a moral espectacle, seeing Chaney twisted just to portrait good, not evil. That´s all, plot is secondary.

Otto in a state of 'incompetence to be guilty', having God (¡Groucho¡) being reduced by a mob of hippies, Carol Channing and Gleason in the sea. Psycodelia as an alibi of anything.

Oh, Cukor, what an hommage to a free girl who wanna be an actress and an old sailor who wanna be just