The Tower of Nesle review

A bit of sexploitation in a always vivid Gance, great Brasseur in his no hero role, Pampanini nos so convincent, in an piquant Dumas story of sex and crime and monarchy

Comradeship (1931) review

Great Pabst, the movements of relatives going to the mouth of the mine to know what's happening, while the girl is leaving in the train, then shw coming bakc to town, then the alternation of big shots and intimate ones in the mine...

Papal Audience review

Too much cast for a sombre, reiterative Ferreri. Gassman is in a routine performance, Tognazzi is better. Cardinale is a show apart, too much expectations for a poor ending

Love Is a Ball review

As naif as fluent, nice background, good cast; situation gags ahead of dialogues; Ford has a past as actor and as character, and Boyer is a professioanl charmer...

La oveja negra review

Rodríguez y Domingo Soler se divierten en los diálogos, ni hablar del buen Andrés. Infante se toma todo más en serio como las mujeres de la casa. Siempre con Ismael R hay extremismos a la vez que deliciosas ambiguedades

Sparring review

Director Jouy is a right match for Kassovitz. The normalization of a dramatic aged blood urinating boxer becoming humiliated sparring, is ok; but happy end a la Rocky is corny...

Tschick (2016) review

Youth adventures almost exploitation movie, bah... Akin is not the right director for this not convincingly explianed why bullied guys...

Tant qu'on a la santé review

Parches pero al fin y al cabo una misma torpeza frente al mundo, la de Etaix. Su más tatiesque episodio es el que lleva el título del film, sus comparsas de siempre, en especial la señora que va al bosque, brillan...

All That Divides Us review

Violent, not too convincing the nobel final gesture by Ben but welcome by the two hard big femmes, Deneuve and Kruger.

Le Grand Amour review

Etaix mature, more bittersweet, with dreamish surreal touches, as the rolling beds great sequence, and the objets divided by the middle sequence, the gossipy women....
