Reviews by fernando

Rara, buñueliana alcoriziana, degradación al absurdo con vaga lectura marxista volteada a salvemos la pyme la pequeña fábrica con buen patrón de otras influencias modernas, pero monótona en su fluir, más imagen que situación, que drama...

Soft sexploitation, in war parisian context, by Techiné, plus working women background and character telling his story in a cabaret; it's a pity all this wasn't more simple and powerfull...

Great character, a good man a minus saint, part of an economy survived in the city from a fantastic feudal country, a pity it loses somewhat till the end

Ivens piece in 'le vrai' Vietnam is interesting, segment acted by wordy Fresson is ok, Godard is Godard and nothing else...

Boorman has an anarchic revolution in one block in London by an irresponsible decadent voyeur. Not bad Vladek Sheybal as Laszlo.

Roselini serene and matura, telling us the extreme spoiled sense of love of pricness Vanina, and sense of pertenence to a cause by Terzieff.

Lattuada lready a strong force in italian cienma, depicting class struggle and mill men individuality in the middle of social and phisical storm.

For Melville was not an easy task to deal with Leon Morin, pretre; for Boukhrief is even more difficult, because, not much happens emotionally, but philosophically in the war background...

Nice with elegant touches, repressing comic tics by Niven and Sordi, in benefit of undestated signals between them

De Sica's Antonioni (or Lelouch) side. Dunaway matches convincingly with Marcello (well, they became real lovers here) in Cortina