Reviews by fernando

Hungarian suprise, an angel a la mode, with background of syrian refugees and terrorism; Wenders with good police action...

Two stars in an impossible vieux Hollywood style, 'you can always have Morocco', he reverse of the Casablanca final statement. Cotillard brights more than Pitt, as almost always the female star does in old films, but it lacks heart, even the ending is so tragic

Love its simple minded good all youn americans californians, hangover with civic conduct (the action comes just after a raucous noght in Amsterdam), taled with narrative that is now common (quick flashforwards to the terrprist guy attack)...

Binoche est Binoche ici et est grande, trying to find a match while explaying herself, exploring more than she can stand (even an interclass ans intercultural romance), goinf even to witch doctor Depardieu, yes you can see sa soleil sa lumiere interieur

Rara, buñueliana alcoriziana, degradación al absurdo con vaga lectura marxista volteada a salvemos la pyme la pequeña fábrica con buen patrón de otras influencias modernas, pero monótona en su fluir, más imagen que situación, que drama...

Soft sexploitation, in war parisian context, by Techiné, plus working women background and character telling his story in a cabaret; it's a pity all this wasn't more simple and powerfull...

Great character, a good man a minus saint, part of an economy survived in the city from a fantastic feudal country, a pity it loses somewhat till the end

Ivens piece in 'le vrai' Vietnam is interesting, segment acted by wordy Fresson is ok, Godard is Godard and nothing else...

Boorman has an anarchic revolution in one block in London by an irresponsible decadent voyeur. Not bad Vladek Sheybal as Laszlo.

Roselini serene and matura, telling us the extreme spoiled sense of love of pricness Vanina, and sense of pertenence to a cause by Terzieff.