Reviews by fernando

Gallone loves opera, thats a fact, and knows how to tell quick and corny some of thier stories, including people revolting and singing Verdi's arias in fornt of him, or Mastroianni with Presle (she's ok), Rossini's womnaly affairs, Bellini wasted by a love, Ferzetti (Puccini) falling for Danielle Delorme

Nowadays it's so difficult to tell this kind of stories, too worried about what everybody would think and not just telling it, being comprehensive with the fact that a child has to act in it...

Philosophy atthe edge of dying in good health and at ease woth town and friends,bu family.There´s no family over Dean Stantos, that's why he is so sharp ahn philosophical, compared and side to side woth Lync and his tortoise, a mexican woman and his family for whom he sings Volver...

Nos stop war and violence but difficulties to establish characters. Koscina is pretty but corny, Nero and Kruger asks more than the script gives them. Orosn is wasted.

El desenfado imposible de reeditar. Bendita nostalgia d euna vanguardia. Qué bien le venína las influencias no hollywoodenses, sino el comic y el propio destape, y los boleros, al buen Pedro

I like sense of territory, a city, working class suburbs, rural areas, all moved by war and partisan resistance. In his kind of war anybody, as Gina, could be deeply involved

Uneasy to suffer, ok it's daring to make a musical about Jeanne D'Arc but. ¿everything on tha same spot'? Tha farse is simplist

Gegauff takes Chabrol in a tripp to his monster sophisticated genre condition. The imposible emancipation of Daniéle is quite silent and impressive...

La degradación del autor profundo, que se enreda en su investigación, ni siquiera en su creación, con toques esperpénticos (me gusta la casera gorda)...

One of the best de Oliveira's. A country's essence and history and traumas and syndroms, and the unavoidable idea of war, so well expressed...