Reviews by fernando

Star debut vehicle for Barbra and more. Glossy and classy production makes contrast with Barbra´s/Fanny Brice's comic performance. She is nice in musical numbers (amazing tha navigation in a small vessel around de Statue of Loberty)and in love shots with Sharif.

Me gusta el lado noir a pelo para Marc Lawrence y el patetismo de Gassman. El maratón de baile tiene la tristeza que Pollack le encuentra mas tarde en 'They shoot horses'.

La intriga política principesca distrae un poc d ela pasión incestuosa pero a la vez la sublima. Marhte Keller está brillante cuando manipula,por amor, al príncipe Georges Wilson. Occhipinti no está a su altura. Volonte sí.

De menos a más. La entrevista que da pie para evocar al pasado es forzada y retórica, el joven amanuense hijo de 'godo' pierde protagonismo; pero la guerra y San Martín cobran cuerpo, sobretodo cuando llegan al puelbo abandonado y San Martín se deprime. La batalla es efectiva con pocos medios.

Bravo for Petri's debut. Marcello is excellent as the innocent that feels guilty in his flashbacks, in the police treatment and in the scenes -almost a torture- with other prisoners.

Lorens, Clint's assistant,wasn't too lucky: for his first film recieved a too simple, almost corny melodra,ma of father recomposin rthe relation with his daughter.

Caleb's face resumes the film: handsome and sick, spotted,dirty. Nice motif, the transmisssion of star's viruses. I would've like to see more scenes depicting society star fanartism.

Unique, once in a lifetime of italian musicals and napolitan culture. As imaginative as complete in its evocation of culture and history of a crucial city. Even its grounded in ballet and theatre, Giannini learns from Hollywood musicals and popular operas. Unfirgettable the 'io te do una cosa a te', the rendition of 'sole mio' in the rain, the love story of Sophia/Sisina.

Ambitious but subtle, dinamic but with the photographic quality of a tableau vivant. Nature and human pride or nature and history, are the main forces. I can´t resist to see in the ending in Stonehenge, the story of mankind embracing these two tragic, idiot and wonderful lovers

The pararell universe of childish fantasies impregnates walls (the crysalide motif lacks development), leaves some clues,washes some blood, I resist it well before sleeping