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“Tiny danish film, seems like a B Hollywood police office, just with an anguisehd ex policeman facing a case by phone...” read more

“Too stereotyped and corny, in the reivindicative action, for a McQueen film. Heroine Viola and the other widows phhfff.Not even Duvall, abused by Farrell and bad dialogues, is ok.” read more

“This time, I accept, I liked what I accept, I follow each episode, incidetn or piece od assasination as art. The descent to hell, guided by Bruno Ganz is absolutely necessary...” read more

“Tiene su mundo Duprat, argentino y muy suyo, artistas más mierderos de lo que proyectan, te burlas con ellos o se burlan de ti, en una narrativa fluida y convencional, va bien...” read more

“Más cariño que morbo por el par central, y su aventura subversiva y legendaria, alimentada por una ensalada nacionalista. Queda como subtexto, (no pudo o no quzo más la pela), la historia de amistad/amor del par protagónico...” read more

“Surprise ignored by Hollywood even Joachim and Gyllenhall are ok, but better is Reilly, the good bro just wanting to get back to home and ma. There´s another wonderful plot, the frustrated love story between Morris/Gyllenhall and Ahmed...” read more

“Van Gogh's creative almost saint Madness revisited, in dense dialogues and close ups. Dafoe is convincing and has strong pieces of dialogues with everybody, includin dear dear bro Theo.” read more

“More productios design than film. Too many explanation sequences of Marvel Wakanda universe; but the mise en scene of marvel afroamerican new stereotypes, the duels in the falls, are worth seeing” read more

“Nice idea the nazi occupation story, a universal theme, with a contemporary Marseille location background.” read more

“Just for the idea of sound as the reason for killings. Could be more radical, without music and avoiding the mother theme, mmmhhh, Here the terror is better than melodrama, reverse situation of this tear's "Hereditary"” read more

“Film of a relationship, formed, forced and forged in dialogues and some well administered external crisis. Inside the characters there´s nothing against each other, thats ok. Viggo is impecable.” read more

“The songs, not the movie; the character,not the actor (a bit difficult for me to accept his false maxilar protuberance); but some themes are sharp and clear, the woman he loves but is not his sex choice as the policmena is; the group and the frustrated soloist adventure.....” read more

“Charlize's tour de effort is while watching and the insinuation that the night baby sitter has not existed is ok.” read more

“Reconciliated with Lanthimos. Weird and beauty women fight with no limits. Emma wins? I prfer Rachel rescilience with her scar and her wit and ellegance. The queen is not just comic and satirized, is moving.” read more

“So, so light that you forget irons is supposedly dying after a recent heart attack that impede shim to take a flight. An so corny reuniting father and son after whimsical figths. But Irons is so enjoyable molesting women and children...” read more

“Bukowski's epic/sordid poem is the best part of a film that advances nothing in trying toundestrand a plague, a little more comprehension, a little more of char in the leading (yeah Chalamet is a pretty boy)...” read more

“Forget unfair prizes for Bale, he is just an example of something I like of McKay: an hoinest effort for findinf a just tone, that is composed of many variations and gags, even a false ending or an entire sequence in shakespearian dialogue” read more

“Symphaty for the devil Eastwood, old 'inimputable' man. Simple narrative by accumulation of drug passes, Clint breaks bad and soft and crime doesn't pay at the end...” read more

“Comparison is obligued. Gaga is the minor voice of all, and the banalization of her talent (in the eyes of his damned husband) is convertig her in an authentic Lady Gaga. At least, I prefer her as an actress with peculiar nose profile.” read more

“Effective, but I rather stay in the first half, the tragic family life, the demonic fantasy is too conventional and visual after the splendid Toni Collette acting” read more

“Oh Spike, everuthing is a joke or a weird tale, with the impossibel right tone, in american miscegenated history. Comedy eats some meanings, that's the problem...” read more

“Really Glenn Close make it watchable and almost believable, a stron woman hiding the fact of being the real Nobel for the sake of.. of what?, marriage?, discrimination?, love to that bastard of Pryce? .....” read more

“Good technical work and not just technical work to find the precise 80s patina. The idea of Bob Redford being a bankrobber for the sake of it deserved more images and dialogues” read more

“Not conclusive, too comprehensive on Lizzie's character (thats its limit and its interest), the murder is explained just in the middle but all the elements were in the beginning, the miad subplot is weak...” read more

“One of the really 2018 best. Pawlikowski improves and exceeds previous Ida's standards, and it's the same Poland, beginning and ending in a ruined church (just missing 'Popiol i diament' Wajda's inverted Christ). Zula is fantastic, weord, fatale in a cold fucking war way. I love the second paris seg” read more