“No se mira el ombligo tanto como en las pelas de Sang Soo, pues hay algo de búsqueda de metáforas literarias, de juego con fuego, de Faulkner y Great Gatsby, les cousins y Jules et Jim coreanos, sofisticación que funciona, que arde” read more
“Forget the ending; before that an attempt on 'Journal d'un curee de campagne" in cold contemporary America. The new ambientalism as a religion a terrorism as its posible violent arm, exceeded by self chatiment is pure Schrader...” read more
“As worried and chrmed for her. Besides an indictment to the youtubers parellel reality (but, wait a moment, al last she met another nerdtuber), a grear, great, momento when she goes to the wild exclusive pool of the favourite girl...” read more
“Wajda´s huge, bloody, vital, depitction of industrial revolution in Lodz, classes and incipient masses, adventurers as the 3 friends. But feelings of entreprenuers/always potential loosers are ahead of marxist stuff” read more
“Hollywood and Bollywood meets halfway in Singapore. Old clisés with new background, and some new clisés (for instance, the princess who is also an academic writing on microcredits for poor entrepreneur women...) with old, very old premises...” read more
“(Visto en Netflix). La historia es suficientemente extrema como para no subrayarla con detalles cómicos. Pero los hay y son suficientes, los secundarios están bien.El nobel es un buen tipo.” read more
“The title ballad/sketch (more than a ballad is a country black humour stuff) is not the best, is more clisé and satire of singing mortal cowbow outpast bu another one, till dead. There's always dead in the other sketches, including the experience of being almost hung ("first time?" asks James Franc” read more
“Tan naif y temeraria, y lavada y apegada hipócritamente al génesis, que llega a tener un encanto esa coreografia para tapar con hojas y somrbas cada exposición no de los genitales, sino de la malla que los esconde.” read more
“Louis Gasnier is trepidant director, has savoir faire in the dancing scenes (the savage tango apache with Bow at the beginning is startling); starts better than ends” read more
“Pushkin in a hollywoodesque, classic melodrama tradition. George is excellent dancing and suffering, better when is deliberately forgivable. The fake marriage to decirve him is sordid, that´s the best part” read more
“Sexy naif comunism in al koljos, cherchez la femme qui est dejá engagé avec un soldat, vibrant et solide” read more
“A pitty subtitles din'dt allow to appreciate Audiard's dialogue. Gabin is excellent, arrogant, and Martine Carol and Leclerc are charming and grotesque. Francoise Rosay is french noir...” read more
“Takes time to spread interest, including Helen Morgan singing twice. A pitty that Gallian girl hadn't star power. Some idiot plot embarass proceedings. Warner woould've made it better.” read more
“Moving when you see Annabella insulted everywhere, more than when you see her struggling to go on with her daughter; as if she lacks the will and power you find in other melodramas with weak ladies...” read more
“Between sordid and refined, Gabin and Feiullere have the best Aurenche dialogues , but BB, of course, has the eyes of production and audience and the scandal of the 'secretaire' when appears nude...” read more
“Thriller with a harsh looking actor, don't know how corrupt how hero he is, because the arab egyptian political spring is spreading in the background...” read more
“Pretentious and corny in its romantization of german anarchism, with glamorous ex activists twice bombing Berlin...” read more
“Pretentious in its wide historic anarchist twice bombing romantic effect. Besides that and its glamorous anarchist cast, not much else...” read more
“All the latin Hollywood clises, all the charm of them all, Turner ohk as the independent rich womna who lacks love, Montalban reivindciates at the end...” read more
“Salvo cierto problema de volumen, buena visión en Netflix. No caeré en la trampa de qué tanto sigue la tradición, pues toda gran película con visión de sociedad e historia cae o se nutre de eso. Lo que no veo, por obvias razones, en esa tradición, es la posibilidad de tomar con la perspectiva” read more