“Two stars in an impossible vieux Hollywood style, 'you can always have Morocco', he reverse of the Casablanca final statement. Cotillard brights more than Pitt, as almost always the female star does in old films, but it lacks heart, even the ending is so tragic” read more
“Love its simple minded good all youn americans californians, hangover with civic conduct (the action comes just after a raucous noght in Amsterdam), taled with narrative that is now common (quick flashforwards to the terrprist guy attack)...” read more
“Binoche est Binoche ici et est grande, trying to find a match while explaying herself, exploring more than she can stand (even an interclass ans intercultural romance), goinf even to witch doctor Depardieu, yes you can see sa soleil sa lumiere interieur” read more
“Rara, buñueliana alcoriziana, degradación al absurdo con vaga lectura marxista volteada a salvemos la pyme la pequeña fábrica con buen patrón de otras influencias modernas, pero monótona en su fluir, más imagen que situación, que drama...” read more
“Soft sexploitation, in war parisian context, by Techiné, plus working women background and character telling his story in a cabaret; it's a pity all this wasn't more simple and powerfull...” read more
“Great character, a good man a minus saint, part of an economy survived in the city from a fantastic feudal country, a pity it loses somewhat till the end” read more
“Ivens piece in 'le vrai' Vietnam is interesting, segment acted by wordy Fresson is ok, Godard is Godard and nothing else...” read more
“Boorman has an anarchic revolution in one block in London by an irresponsible decadent voyeur. Not bad Vladek Sheybal as Laszlo.” read more
“Roselini serene and matura, telling us the extreme spoiled sense of love of pricness Vanina, and sense of pertenence to a cause by Terzieff.” read more
“Lattuada lready a strong force in italian cienma, depicting class struggle and mill men individuality in the middle of social and phisical storm.” read more
“For Melville was not an easy task to deal with Leon Morin, pretre; for Boukhrief is even more difficult, because, not much happens emotionally, but philosophically in the war background...” read more
“Nice with elegant touches, repressing comic tics by Niven and Sordi, in benefit of undestated signals between them” read more
“De Sica's Antonioni (or Lelouch) side. Dunaway matches convincingly with Marcello (well, they became real lovers here) in Cortina” read more
“America pazza, mad America, Mastroianni is an stupid italian ex pugilist, wondering through marginal characters in Chicago. Hutton stamps many times with him, as the fascist homeless with a bomb, the old prostitute with the adolescent afro igrl, the gay...” read more
“Great Risi, Deweare is victim of both Tognazzi and Muti. Toganazzi in one of his bests, crying in silence of joy and pity, when sees naked women. Excelletn when goes erotic over two girls in the villa.” read more
“A day at a roman court, with some superficial sketches where women's guilt (and Chiari's priest) is relative even for implacable judge Peppino. Loren is already star illumintes, his fall bending her long legs is wonderful.” read more
“How great is Tognazzi, uomo ridicolo as in Bertolucci's opus, against sublime and in the same time, so tender and impossible Ornella. Policeman Placido's lust for her is so credible.” read more
“Not too funny neither good gags, but Toto and Fabrizi have excellent counterpoint performances. De Funes is secondary in every sense.” read more
“Gallone loves opera, thats a fact, and knows how to tell quick and corny some of thier stories, including people revolting and singing Verdi's arias in fornt of him, or Mastroianni with Presle (she's ok), Rossini's womnaly affairs, Bellini wasted by a love, Ferzetti (Puccini) falling for Danielle De” read more
“Philosophy atthe edge of dying in good health and at ease woth town and friends,bu family.There´s no family over Dean Stantos, that's why he is so sharp ahn philosophical, compared and side to side woth Lync and his tortoise, a mexican woman and his family for whom he sings Volver...” read more
“Nos stop war and violence but difficulties to establish characters. Koscina is pretty but corny, Nero and Kruger asks more than the script gives them. Orosn is wasted.” read more
“El desenfado imposible de reeditar. Bendita nostalgia d euna vanguardia. Qué bien le venína las influencias no hollywoodenses, sino el comic y el propio destape, y los boleros, al buen Pedro” read more
“I like sense of territory, a city, working class suburbs, rural areas, all moved by war and partisan resistance. In his kind of war anybody, as Gina, could be deeply involved” read more