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“Trepidante y ágil por gusto; porque bien establecida la idea de que una mujer trama un falso crimen para que su marido cineasta la escoja como actriz, todo debió ser más sutil e inquietante.” read more

“interesting argument (the family plot sold to a guy who hasn't one) but there´s a feeling of inachievement, of confusing solutions. Amparo Muñoz as handsome as good actress. Agatha Lys not as well.” read more

“More than nice characters taking decisions on love based on national identities, family (thats a good point, they´re are kind of blood cousins) and a liberal agitated background. (Nice to see it right after being in Barcelona. I celebrate Stillman avoiding Gaudi´s commonplaces and filming instead ” read more

“Vidor is ok with the De Millean, sexy mystic (he knows how to separate and mix those concepts) idea of the film. And the redemption is more romantic than religious. The suggested orgy is ok.” read more

“Strange banalization of Tarzan becuase the film gets to its point relating the legend with wars of the time, american anti colonialism and kinf of politial stuff. Bah.” read more

“Se construye lenta hacia el centro pero remata rápido y bien. Julieta ha construido sus culpas y su hija es hija de las culpas, la deja y la quiere por ello. El misterio de porqué se fue ocupa el lugar del drama.” read more

“Si improvised in dialogues, but not in the decision to sculpt, fragment Meril's body. Censorship determines as much as JLG what you see. Sex is explicit in words, bien sur.” read more

“Good atmosphere, innocent simple but compulsive McQueen and so indolent ans in love Remick: her final quote listing the 4 towns in texas she has been as a world adventure is great.” read more

“Brooks and Simmons are more than OK; but dialogues are so aged, selfconscious, almost lyrical in its meaningfull intentions. Women in spas has a kinf of antropological edge.” read more

“More romantic than noir. The idea that Price gambles his wife, a necklace and the money he hasn't, is not underlined as it deserves. Russell is better than Mature.” read more

“Switzerland is a good background to a sordid -even a bit washed- story. The paralell of Vanel's son and Vanel himself revisiting the case is ok. Grandma Berthe Bovy has the best lines.” read more

“Excellent. Not a minor Wilder. He makes a statement on monarchy and class division against singing american brute pragmatism, using wisely the clises. Fontaine is better than ever. More than austruhungarian monarchy, the satire goes to freudian psycoanalisis applied to dogs!” read more

“Ravishing Maria Montez. Illiminates (or gets noirish) everything. And has the dialogues for it, even inventing her birthplace once and again. Lilly Palmer miscast.” read more

“Good paced, choral, in love with Sicily, tolerant in name of chuch incarnated by Chevalier. Dickinson is sex in revenge but funny, never tragiv even Lisistrata is evoked.” read more

“Good cheap natural in its exotism noir from John Farrow. Ladd has good dialogues against beautiful untrustful Gail Russell.” read more

“Its german realistic pace doesnt help its commercial punch. The governess is to stereotyped from a bad childish film; but all is better in the country with grandpa Bruno Ganz.”

“Too light, too easy comedy pushing Paris clisés to a idiotic extreme that converts the city in a small resort where everybody meets anytime by hazard.

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“Has its moments, especially with Richardson's hidden death, but resumes badly in the end. Knox is a lousy detective and Gina a stupid italian nurse till the happy end” read more

“Marrakech as never seen before, in and behind turism. Whores arent idealized, just depicted, followed in their routine. Not victims, not bitches. Even when they try saudi clients.” read more

“Too manipulating, but very well paced. Girardot is excellent in close ups, with just one tear. Pradal is too old and too miscast.” read more

“Vadim plays Ophuls in a lighter and sexier way (too many gentlemen with tricky hands while delivering good dialogue). Spaak is prettier than ever transformed by Bernard Noel.” read more

“Subtext is much bigger than text. You can't know theré´s a criminal mind there, even the trivia says that director Pallaoro based the idea on a criminal case. Nothing happens with mute Catalina betraying his husband with the gas station man.” read more

“Lousy thriller, with naif political background even it is based in interesting real facts. Emma Watson finds comfortable to express nothing as her role demands.” read more