“More story than film, but, at least, Misrahi avoid being corny or sensationalist. A kind of sadness and camusian (becuase or argelian references) imposes...” read more
“It's worth seeing just for the scene in wich Bates (Giles) is submissive to Mirkala inverting the cross. Sangster, even submits himself to the sexy commercial trend in Hammer, finds new ideas.” read more
“Powell is faultless, meaningfull: here is more than just an analogy between Jones and Foxy, is tha naimal spirit talking and talking its place in an almost rural english society and religion. Great Cusack.” read more
“Más allá del enfoque de género, me dijo una amiga, y acertó pues Chela, la delicada y disminuida, encuentra la libertad y la avenutura del auto, cuando Chiquita pasa sus peores horas. es pura circunstancias, puro margen de fileicidad en la supervivencia y en la decadencia, de dos personas, que y” read more
“One of the lesser Copollá's and thast´s all right, because its a nice recreation of period more than moral or criminal or formative exploration. Cage is more than ok, even better than Turner.” read more
“More interesting as a point in woman resolution (Wood asks nothing to McQueen and wants to afford proudly wahtever is coming to her) than describing a poor social italian background (a bit too many clises there). Mulligan has a good hand directing.” read more
“Good cast, including a spoiles whimsical Rogers, and some sincerity in the love affair: Gaynor is in love with Farrell despite simpathy of Dunn.” read more
“Hope is funny and Lamour always serves the purpose. Not one but two sidekicks (Bracken and Overman) because Hope's character is a star obligued to be a poor reclute, and that´s a good plot.” read more
“Dick Richards hits the noir tradition, a bit late but at leat he could have an excellent Mitchum and introduce Rampling to the darkest sides of life and great secondary characters as Moosey Malloy...” read more
“Sort of distorted film. Tracy and Lamarr and a Charles MacArthur plot, has to many idiot melodramatic modern/ethics stuff of what a doctor must do about the poors....” read more
“Coixet is trying evary theme everywhere, as Hollywood and it has such universal clisés. The courage, the so bad aristocrats, the lonely good hearted widower, not so much to add.” read more
“Small good Cantet: the teacher learns more than the rebel but in the extreme good student (excellent Lucci)” read more
“At the end, Wenders became a superficial, sexy deep diving (because Vikander studies the deep sea), all correct but thrilleresque, filmmaker...” read more
“Great plot, fine equilibrium between large cast because they're so accidetnally interdependent. The Schlegel's are as intelligent as naif between rcih and poor. In other lecture, almost everything happens because of Vanessa Redgrave wrinting a message leaving her home...” read more
“Sientes el esfuerzo de pensar en otra época, en otro lenguaje, en otro ritmo, en repetir conceptos, en el tráfago de seres y cultural, es la moralidad,la identidad, llevada al límite de la geografía, en la adopción de nuevas costumbres. Hacia el final, el mal, Vicuña Oporto, metido en el 'poss” read more
“Good team, Polanski directing and Assayas writing, but just an inteligent thriller of a cracked best seller wrtier that allows a demon in her laptop...” read more
“Este sr del Amo llama la atención porque todo es en clave alta y con bonitos acabados, los clichés y la cursilería, lo cuadriculadamente polémico y las forzadas referencias históricas y el name dropping...” read more
“Everything woth or about Gloria Grahame is worth seeing and this is ok. Benning is passionately becoming Gloria, she's not judged, just followes, explained and yeah kinda excused by his lover Turner.” read more
“Sweet Hazavinicius (and whatsoever aspects of french cinema and culture he represents) on Godard. All through the testimony left written by Wiasemsky. Godard has wit and charm and he's so dazed with revolution...” read more
“Pretentious but intelligent, mad in many ways. Love Noiret pointing out french smelling condition and being pointed out. In the best parts, somehow, Malle breaks everything and misses the point.” read more