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“Underrated Huston in spite of its lousy treacheroos everybody saved but the indians at the end. Great story, really unforgiven heroe Lancaster risking his family for love of sis Audrey.” read more
“Nice animation, better in the human modern world ant the interface; not so much in the beast world. Hosoda imposes his rythm, his codes of honor.” read more
“Deceiving. Widmark is ok seeming to be a very bad guy in the beginning, bot in th eminute you see he is the fantastic heroe; the film becomes corny.” read more
“God save Gordon from the oblivion. O'Brien fading hieratic while his ruined palace is exploding is the nearest to Leone Hollywood could get in tne middle sixties.” read more
“Bolognini at its best; decadence in people that hasn't even reach luxury or modernity. Claudia (excellent) and Jean Paul so condemmed lovers that become tender when harder they pretend to be. The feudal background of the heritage is just that and ok.” read more
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5/10
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5/10
“After this, now I know Sontag, even with some ideas well explained. Good testimony of previous female lovers.” read more
“All the elements to make your own judgment on Knox's guilt; but lacks of -at least- a resume of the facts and lies we knox she is really guilty of. Americans are too protective with her jewells abroad?” read more
“Subtle idea for a doccumentary: why a young innocent lampedusian boy is anguished, without knowing, with the refugees crisis.” read more
“Good paced, nightmarish but quiet story of guilt more than pity before a resentful wife. McConnaughey ok, better than use of location.2
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“Baroque in themes (gigolo, romane, fascism, crisis) but not in style. Dietrich is more respectful than moving, Bowing is learning, Rome is excellent, Novak amuses herself, Maria Schell ok.” read more
“Simple, straightforward, rude, softporn, nunxploitation, good location. Best of all the sadomasoquist stuff between nuns. Spaak kissing the floor, good moment
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have watched
6/10
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6/10
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6/10
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6/10
have watched
6/10
“Xavier and his unnerdy, prolific, avoiding stylization, not too efectist this time, not too naturalistic, kind of elyptical approach to a good story of gay love and rural prejudice.” read more
“(Lucky it comes in the smae edition of "Le planet sauvage"). More than in 'Le planet', Laloux stops to astonished before Topor's images; even the plot of inasion of giant snails is very cinetic.” read more
“Problems with rythm and animation itself, but Topor's images and imaginerie is just great. He anticipates Moebious and Jodorowsky,” read more
“Edwards finding his style and punch. The arribist fury of Curtis is a bit washed up; but you can find something of it, maybe more in Kathryn Grant than in Cory/Curtis himself.” read more
“Guilty me to forget Jarmush. I've just seen this romantic (in a historic way becuase Marlowe and a friend of Byron are dying in Tangier), subtle, tender, amusing, very well located in Detroit, gem.” read more
“Fisher just waitng to do what he liked and in what he excelled. The imported noir style inspired him nothing. Even having Godard and good actor William Sylvester.” read more
“A poor Bava, in plot, acting and direction. Even the killings lack inspiration. Isa Miranda has some dignity, Auger none.” read more
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6/10
“Burton makes classic texts sounds ok. March is the best of Hollywood school and is excellent confornting, drunken, barbaric and tongue in cheek the pretentious Burton. A pitty that the homo tones are washed up.” read more
“Charming. Loren full developed already in 1955. The sex and the music -Camerini insists in comparing the mill with a disc- of the past, senza nostalgia. De Sica is convincing since its first scene, and becomes engaged more and more.” read more
