Reviews by fernando

(MU) Touching, ironic, tragic in the end, poetic in the narration in off, maybe too hard on the french woman (the man is 'pardoned') personalizing her injustice instead of depicting a general problem of identity...

(Mu) Cult bizarre film, too funny to be a rock opera, too well produced in backgruond and gadgets to not be taken in some seriousness; the spirit of manga and Hollywood spoofs, all mixed...

(OK) So charming, colourfull (Sidney is MGM musical splendour) when Presley and Danova visit many shows looking for Margret. Ann is wonderfull, a great star whor arrived late to the musical and had to work in another kind of films...

(OK) So elegant, bien fait, great acting by them all, specially by Berry as le diable meme. Decors are irreal, dreamlike secuences are fascinant inside the irreaism predominant...

(OK) Interesting, well told story of a killer imposing as 'bienfaiteur' of an 'hospice'. It´s no Cagney´s gangster in "Angels woth dirty faces", its more realist and simple, more sincere ...

(OK) Amazing filming in natural locatios, the avalanche with the girl locked in a chapel is great, as the boy in the river saved by the new mother. There´s no good and evil, just boys trying to understand the world and each other...

(MU) Desplechin takes Roth in episodes, moments of love and distress between Pdalydes and lovable Seydoux, but with lot of evasions. He loses the point ans interest, but has ncie scenes as the trial and the moments with the sick friend

(OK) La tendresse has a special meaning and special uses in this Berri. Simon is the grandfahter ypu would like to hug. Harmony is perfecto with secrets and lies...

(OK) The terror I love: idiots plots to the minimum, people gathering and not dispersing against a very identified monsters, effective narration, effective dialogues, famil ties mixed with the confrotation of evil...

(MU) Last Rohmer tale is so alike the comedy and proverbs; a firned trying to organizes other's lives, and making a big fuss instead, with happy ending. Nice seeing Ribiere and Romand, as (in)mature mothers...