Reviews by fernando

(MU) You feel as awkward as the students of acting, when a simple excercise of playing the animal inside, confrotns them with ther prejudices: the afor boy plays a monkey

(OK) Kieslowski works hard on textures, impressions, littel detail (a light playing on Irene Jacob's face) but remains cold and confusing nos only about the character but feelings...

(OK) Hard on Tokyo, machism at its height of stupidty (suicide, lies, child mistreating) but told in a seren cadence, just to match the final sonata interpreted by the boy...

(OK) Demy as if woulnd't happened nothing since his first musicals. He ha a loaned story from Montand as himself, plus a melodrama happily solved after an incestuous night...

(Mu) La heroína tiene esa almodovariana combinación de determinación e inocencia y lucidez para saber en qué trama y género está parado, sin que ello implica que se abandone a la pasión cuando quiera...

(YT) Naif, assertive, forcefull, not ashamed of excess; religios is just a fght between villagers of whose divinity and ritual are best, an agnoticism hommage to all cults...

(MU) It begins where "In the mood for love" ends and add 3 or 4 stories that doesn't improves the whole film. There's also the futuristic story that is wasted...

Slowness or appropiate tempo? Both. Terror finds density, evocative power, non gorish; home based, with country nearby, nighto dominant stuff. Good film...

(USB) Haynes uses testimonies old an new of the 'velvet underground' scene, including Warhol's and Lour Reed's fight, the imposing of Nico, the highs and lows, and interesting approach to durgs and women citicisng all that frm new feminism...

(USB) Erratic style in the first part, but once the journey begins gets better and better. Then, at the end, the absurd and fatal and human (the man doesn't want to lose his head becuase he is a knight, that's all)... filosophical ending, its the anti knight epic...