Where Are You, João Gilberto? review

(MU) Too self centered in his quest and the quest of another european before him; and despises the possibility of presenting more information on Joean and bossa nova and Brasil. He even goes to Diamantina, ant the wonderfull town is almost absent...

The Color of Pomegranates (1968) review

(MU) Exceptional, the richess of images, tableux vivants or simple visual lines of a poem on religion, love and ancient society...

Lucky Lady review

(OK) Some problems of rytm and repetitions, a violent change of tone (first, the bullets seems artificial, all is lucky and happy; then violence explode and the film doesn't cope with Robby Benson's death...

Dance, Girl, Dance review

(OK) Maybe overrated, the plot is so contrived being serious (The death of Ouspenskaya, tha appartion of Louis Hayward loving and not loving, Bellamy miscast), the dancing is poor; but Lucille Ball, Russell Metty photo and some scenes as Maureen and Lucille fight and Maureen shouting at the public....

This Could Be the Night review

(OK) Wise is always ok, even going for genres he doesn't domain. Argument has some corny stuff for 1957 (as corny as Jean is believing she is not), exceeding in fluffy almost naif Paul Douglas, therés no comic alibi for the sentimental stuff; but in the other hand, acting is impecable, (Jean and Tony Franciosa are always conivncing), and Julie Wilson sings excellent...

The Little Prince review

(OK) Episodic, irregular narration, becuase that´s the literary origin, and Donen wanted to make special numbers on Lerner lyrics. Bof Fosse snake ins a little film inside this; each planet is an episode. But there's a core of the film, in the relationship between little prince and the aviator...

Song at Midnight (1937) review

(OK) Expressionism in set design, in gothic terror, in madness of the feminine character. Nice variation in 'phantom of the opera' when you hace the phantom asking the man to replace him int thel love of his idealized girl...

My Man Godfrey review

(YT) One of the best dialogues, clowned by Carole Lombard. Powell has most punchlines, and is hard on Gail Patrick. Pallette and Brady are excellent supports. Too much in the house and the slums are too Hollywood produced, but that 'laboratory' look donde mess the film...

This Much I Know to Be True review

(MU) Pretty sweet swan songs, with envolving effective intense travellings, an agonic cameo by Marianne Faithfull, some explanations of creative process by Cave and Ellis...

The Sinful Nuns of Saint Valentine review

(MU) Effective Sergio Grieco's nunsploitation, with interesting finale of the nuns straving in the walled convent. But that's not the ending, there´s a happy one in a Romeo and Juliet lost trace...
