Reviews by fernando

(MU) Great tragedy constructed progressively and in a subtle way. The father, in this painfull patriarch society, makes the mpst awful choice, paying an fundamentalis ideal with his son and it seem like a crime, he wants his job, son understands and forgets...

OK) Capra with no great clown (Langdon or whatever), finding his romantic vein against social background, even a comment on enterprise and capitalism, the ham is cut thick or thin...

(OK) A short that lasts a long feature: great idea, a master of gags, the guys trying to get to Hardy's appartment when the elevator runs off...

(Mu) Rozema has her flair, her charm, her great character here, Polly in love with she doesn't knoe exactl what. She is pure light against snobbish boss, art and arty prejudices an background...

(OK) Losey never more effective director: Redgrave and McKern in one of the best male character duels in british cinema. Suspense and big drama when Redgrave and Todd visits the condemned son. Even a overexposed light improves everything...

(MU) Many stories and do'nt see clear the mastermind, the master plan, but in the disguised actors (Hanks, Sarandon, Hugh Grant, excellent Jim Broadbent), and goo Hollywood action scenes...

(OK) It has flaws and takes too log to began, but Van Dyke and all MGM discover here a new world , a new saga of elements and society and love epic learning... O'Sullivan manipuates Tarzan, that´s clear....

(OK) Granowsky has russian flavour and mind. Giant Baur amuses as Tarass and invents his own coreography. Aumont is at its rare best, losing his mind to Darrieux and his life, because Tarass makes his tragical move....

(MU) Amazing rediscovery, oh Iranian film and socity whatever come of glorious sixties and seventies with these explorations with morvo and bravado and melodrama . It seems an italian Bolognini in Teheran!

(Mu) Too reiterative, you don't proyect just in one cow, all are the same, but Arnold makes all the nuissance worthwhile with the effective ending...