Reviews by fernando

(Mu) Rohmer´s esental ordinary naive self conscious characters. The 'seductrice' and the seduced boy, the women liberated and confused, even as young as the detective girl. Long conversations in wich story advances as much as in long action in the streets...

(usb) More slow than long, its not comtemplative but mindful ans loosely evocative, evasive in a way; character stuck in no land for her memory of a sound, first looking for it with professional aidance in Bogota, then finding a memory fellow in the forest...

(Usb) Gran Almodovar, summa teológica de su sinceridad y sertividad melodramática, con solución activa, más la historia de espala en una fosa revelada, las familias y amores alternativos, la maternidad asumida y no pero nunca culpable, Penelope más allá desí misma, eterna...

(Mu) The stories take too much time to intertwin, characters take too much tiem to react after everything is staged; when they finally do, there's some depition of corrosive irresponsability...

(Usb) Great b/w solutions; specially the choir of witches, almost inside of Macbeth´s castle. Two way story, Lady Macbeths progressing influence, and then Macbeth's prodessive madness....

(Mu) The grainy 16mm, the improvisation, the wandering in and out frim Paris, the derpession of the heroine till she becomes an active seducer, the epiphany of a real green ray at the end. Biarritz and Saint Jean de Luz, is everything...

(OK) Agnes remembers Demy once more, film by film but not cronologically. Not only Demy seaks but Picolli, Deneuve, Moreau, Sanda et al. Nice...

(Usb) Big theme, parents of a psycho murderer and parents of one of his victims remembering and helaing wounds, but dialogues are too neat and reiterative, it begins and ends well...

(Usb) A finnish lesbian find the russian soul in a long train trip to artic Murmansk: that fantastoc passionate impossible boy appears as a heavy angel in special moments, he is more than the mystified petroglifs she want's to see...

(USB) Redonda ironía del patrón que intenta asimilar todo lo bueno y en realidad es un paternalista mandón. Un toque de absurdo, bien llevado, como un running gag, el del despedido que monta una protesta sin ton ni son; los giros de Bardem tan buenos como su actuación...