Reviews by fernando

(OK) Pastoral subversive comic Bach against stiffed hideous but funny Saturnin Fabre, with the help of Suzanne Dehelly; a microcosmic round film...

(OK) What happened woth Egypt and its cinema? Kind of rgression of this society who could produce modenity, neorrealism, constumbrism, tragedy and crime film of moors, in one short tight film...

(OK) Modernism with a patriarchal machist way; the huge consrructions in the field and the ancesrral non love (the engineer is attached to the memory of the woman he killed in his wedding night...)...but Mauro has good atmosphere with live music

(OK) Powerfull argument (Syria, refugees, art market, migration, dehumaization, globalization) and good sense of compositios for the moment where tha human piece of art must be showed...

(OK) Crevenna era alemán y helo aquí con un gran original. Si el precio por ver esta audacia de argumento es convertir en monja a Marga López (que capitulación tan absurda), valió pagarlo. La atmósfera de colegio de monjas (en el original solo es rigidez prusiana), le da matices de fanatismo interesantes; y el machismo está allí en la puerta...

(OK) So audacious being sober, the tender sexy more than sensual and loving moments (the best is the teacher kissing each girl and keaving Manuela at the end)...

(OK) Good character, nor too moved by what je reads in prisnoners letters, no so bad to ignore them; just mediating in a closed, heavy world wher inmates are not too far from guards...

(OK) Nice tender touch on a deaf/blind, honour to helen Keller foundation and that's all (for this theme see Herzog's documentary)...

(OK) Pretty costumes and sets, but the superpower girl saving the empire, floating with her spade, bah, all is seen since Ang Lee...

(NX) A funny, tingue in cheek look in modern/atavic India, from a town of servants to modern political corruption in Delhi, through the eyes of complex sympathetic guy turned pardoned criminal...