The File on Thelma Jordon review
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(OK) Siodmak builds the film in the first half, everything is smooth, even Corey cheaing his wife woth Barbara. But, when the crime occurs, intrigue and passion rules and goes beyond noir topics...
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Twilight review
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(OK) Marc Allegret is strong here: era depiction, psycological romance, social climbing. Dauphin is excellent acting as a bad actor, Presle is good as a good actress, Jourdan just makes the triangle
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Fazil review
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(OK) Everything ok, directing, acting and writing, but lack of originality (Valentino like stuff) and conviction. Nissen is ok as socialite romantically shred to pieces in Arabia. Dhie in the harem is quite interesting...
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Fat City review
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(OK) Oh Huston at his human heights, so inside the shoes of loosers and drunkens, and thier dreams of grandeur. Winnning is snothing,living is as painful al heraing Susan Tyrrell.Men understands each other deeply...
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I'm No Longer Here review
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(NX) La mayor violencia no es la de los cerros y pandillas de Monterrey sino el desarraigo de Ulises en NY. Lo identitario manda y ya no es patriรณtico, es la cumbia colombiana, sin referente nacional...
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Phantom of the Opera review
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(0K) Great Technicolor, loose adaptation just to fir there Nelson Eddy in many operatic renditions. Helas, Rains is so good actor that doesn't allow Eddy and company and comic scenes steal his drama and his poor phantasmagorie.
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The Phantom of the Opera review
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(OK) A masterpiece where each part, directors justo for once, innovations (duo technicolor), story (great Ledoux), Chaney and the best of productios wirth elegance, and timing and progression (there's no hecatomb or burning of the opera, just a chandelier falls)...
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Bedazzled review
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(OK) Love hate this Donen till you see again the leaping nuns episode and thats surrender. But, before, that you have Raquel 'the body' in her lazy splendour, and the episode with the old lady deceived with a date with Hitchcock...
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Fanfan la Tulipe (1952) review
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(OK) Versatile Christian Jaque, excellent pace, Philippe at his splendour (more than Lollo), and the tongue in cheak, occassionaly poignant (when king and court mention with indfiference the number of deaths) script...
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This Is Not a Film review
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(OK) Oh, Panahi the nice, slefish, intelligent, imaginative, funny, heavy iranian, who has the spark to catch stories and approaches, and, as here, rendering all of himself...
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