Reviews by fernando

It has its own world, so much entitled to the real Frisco one, son much and obviously based on illusion and delusion; its a bit tired

As usual, the terror is better when a everyday life realism, a real anxious world is well constructed in the beginning. That's good with Pelle and Ari Aster. ..

The tone is perfect, between tenderness and anthropological touches to understand chinese migrants in America going back to an artificial lying farewell of grandmother. All the group playing a game with their arms, is a touching drunken scene

Nice furious, funny, handsome (model sexy figure naked in the bathtube, there begins his french adventure), throwing out a complicated identity (being from militarized Israel, it's heavey man) to embrace another that turns to be no much fun (great scene in the optional patrioitic classroom)...

You can reve, you can ignore Godard. I rather follow with respect his words and images, well, those of Anne Marie Mieville. A problem of Godard and of the copy: he whisphers his ideas, so, its to hard to follow them...

It's hard to forget the tragic end of Bo Hu after all this four character intertwinned sadness and search. Folllowing them long minutes from behind the shoulder, in an non defined point of view, is hard, too. But the image/concept of the elephant sitted and having things thrown to him (that idea would've been better explained/exploited) is a good anchor...

Good director, nice cast in the counterfeit segment, but the conducing plot of the false coin, is horrible...

Greta Pavese's texts; the mithological ones staged in sage dialogues by inexpressive old men ans tnthusiast inquisitive young ones; the post war one, shadowy and depicting a tragedy subtlety...

The artificiality of the whodunit is well mocked, but there's is a plot to follow as light and artificlkal of the one that has to be mocked. Craig is amusing

Nemes,pompous, reiterative in his following her character in close up. She has an stubborness out of this world and don't understand why...