Reviews by fernando

(Saw in a flight to Delhi). Refuse the dowry institution is not as sexy as making a zanny plot to pay it, and then lose the girl and win it back ando so on, bollywood coreographiuc style).

The adjuster adjusts everybodies stories, as Holm in Sweet Hereafter, and his is demonically adjusted by Bubba. More weird than fasocnating, but has ots moments, its images, its metalinguistic on film clasification (censorship is not our priority says the censor).

Egoyan at its best. Holm excells as an angry mature man, trying to fix everbpody's tragedy but his with his yunki daughter. The Pied Piper morbid sardonic satirical political theme (thanks to the bonus track I read it for the first time), spreads its mystery all over.

Not much to add to my recall of Siegel's if not a provocative aura of reivindication of women against gentleman Farrell. Besides it's war, isn't it? I like the screenplay becuase it has undertones and subtleties, and at the same time, Farrell verbalizes clearly what he thinks we must think.

Harsh, sometimes ugly (the secuence with Cliff and the girls), but this is war and reactionaries above politics, as Raoul could depict them (Massey is excellent, seems a british general...well in a way he is). Why we forgot to praise Aldo bull ray?

Handsome Blain, compelling compromised Brialy, femme fatale with feelings Lafont, interesting small villafe hell.

Enrico plays and places wisely the extrem violence of the story. You see Romy's burning it through the imagination of Noiret; but he is in a special state.

So simple, so direct, so on its time. A lot and nothing happens in this trip, but first of all there´s no violence, not even competition, is the obsession with cars

Predictable, artificiaux idea. Plummer, Landau, Ganz dignifies it. Best part: Plummer more uncomfortable than insulted in the house of the antisemitic policeman.

Minor spy war thriller, Raft hero for nothing, Greenstreet perverse as always, Lorre maniac, Brenda Marshall ok and some lightning and decors more than ok