Reviews by fernando

Huis clos western by a non western director, Michael Gordon, who wants good characters instead of action and landscape. Tierney more mature than usual. Ann Dvorak is excellent, enlightens her character.

Too serious because of its time, but a touch of "Above of suspicion" (MGM similar charade) with the addition od the husband became a nazi.

Hawksian it is, but so poor. Howard trasnfers his men's aerial brotherhood, to the race tracks and to the new liberated women; but with a limited cast and poor dialogues.

Blessed Matarazzo's melodramas. Here is the period piece, bandits and soldiers, bur they stop, Girotti whoe else, in the middle of a familiar feud and and a sex clash. Then, a collar, a recognition, a blind pater familias, a wheelcharied man, great.

Prefiero "Gloria" pero Lelio está bien; caracter fuerte que soporta bien la historia (los secundarios son débiles) y con sutiles toques fantásticos. Final flojo.

Big surprise. As if Sherman and Warner anticipates neorrealism in Hollywood. Maxwell Anderson play has excelletn dialogues and characters.

At least Curtiz works on its rythm and vitality. Bot a lousy script with long reiterative sequences.

A surprise. Campos let you, subtle, inside all the ambitiosn and frustrations, of Chrisitne, it takes time to have some revelations, for instance, her virginity.

Modern british western. Bogarde is ok as hero marked to die, but the happy end betrays him. Baker is always a good heavy.

Neame, great director never prized. Since the poem used as epilogue, "the man who ner was...was eye", everything goes up. Grahame, actress and charecter, is excellent.