Reviews by fernando

First part is pure italian cliché, but when arrives to Russia and Loren is confronted with Marcello's new woman, everything gets better.

Conventionally subtle terror, sense of young group with split love between the guys. The isolation of 'strange people is following me' topic, explained early, is good.

The extended version allows some feeling (Paul's farewell to family, Ramsey definition of the group, Letty's recovery of memory). The flying carse are the best routine of the film. A good entrance for a 'no fan' of the series.

Good characters, with too much ups and downs that weaken the ending. Good sense of group, of family, of peculiar moods. Isabella ok. Diane Ladd a Gena Rowlands lookalike (saw it in UVK).

Great Guitry. A must for politic and diplomacy lovers. Talleyrand is modern being machiavelic because he is a republican, rethoric, intriguing, respectful of where the wind blows guy; even when he recieves Napoleon as emperor or Luis XVIII. Cinic in love and life and politics. Lana Marconi is his perfect match.

Capra in excellent mood. Harlow is so fresh convincing Williams to use garters -!with a tune!-and to live in the Schuyler mansion; that Loretta has few things to do till the end.

War is an alibi to deal with another topics: treason, survival in indignity, postwar amorality. Harsh, tabloid, but there´s something of a Fuller style.

Between the minor and the big Allen's. He revisits the mood ant the themes of "Crime and misdemeanors", in a college town and a asceptic city as Providence. Depression and philosophy and the excitemente and meaning of evil just to put on movemente life.

Bio pic with the perfect alibi for being a love story because here's a man who was stranged by his party ant beaten by opposition because he loved a woman. All this is told with respect for politics.

Special, personal, 'lost australian world seeking for water and green with old cars' Miller's aesttetics in movement. Great.