Reviews by fernando

Great spaguetti, in the snow of Utah, with the hero killing bounty hunters, because in its relativisn, good is the poor ans straving bandit and evil is the bounty hunter. Kinski at its best. Great ending with a sense of poetic failure.

Moody, nice cast (Frieda Inescourt the best), good hand of Roy del Ruth, but poor mask (the ending suffers from it). I prefer the takes of partial alligator skin in Bruce Bennett and Beverly stumbling over a real alligator in the swamp.

An important movie, !eat that! Daniel tells all the 'history' of half a century and looses important scenes to depicts his character. Oprah has a better character than she thinks. The presidents are almost caricatures.

The new Fellini, no discussion about that, with more diversity in music and characters (Sorrentino loves real music, and there are latinamerican characters. The friends og Jep (great Toni Servillo) have rich details and resist big lines.An extremely sense of decadense till the final segment with the saint and the flamingos and the room with a view in Rome.Is that something close to the grato beauty?

Good focusing in Eichman´s report viewed by Arendt, ant good character study of a woman the loves her husband, her friends and her thinking.

Surprised and hot at this imposible paradise of clothing optional and free gay sex in the wilderness. Imposble because something has to go wrong, there's a serial killer in rampage after having very good fuchs with the hero. The speech of the police claiming concern and solidarity because 'one of you has been killed'is basic to inderstand the film.

You can feel the 'poetic of gore' in the scene with the gilr in the car crying blood, spitting and throwing her insides. Good location Savannah as is explained in the extras

You can feel the 'poetic of gore' in the scene with the gilr in the car crying blood, spitting and throwing her insides. Good location Savannah as is explained in the extras

Yes, I'm convinced by Di Carpio in every secene. The best are when he 'orays' his philosophy to the arousing masses in the office. The financial mob of capitalism at its emotional hegiths. Great secen between Di Caprio and the FBI agent in the yacht.

The best of the last Allen's. All the film is over the shoulders of Cate Blanchett and her overhuman, clinical ways to stay rich and exquisite. Woody doesn't allow Cate to breath, always has to lie and simulate. Great scene in the fight between her sister and her boyfriend, Cate answering the phone. Maybe she can breath in the secen where she goes out with her nieces.