Reviews by fernando

En exceso articiosa,pero Salvador del Solar, Vanessa Saba, la foto, Lima, Paracas y Javier Fuentes la hacen creíble.

Slow, long by comedy standards,verborragic scenes, but one solid argument: everything in the film points to the charitative spirit of Cooper ans its limits. Couls be the parabel of the good man.

A choral, East End, tender and vulgar symphony. Googie and her lost erotism fixed on Tommy Swan (McCallum)stands among everything.

Decontraída, un poco monocorde (quizá para subrayar,por contraste, la violación de Estrella); pero marcada por buenos diálogos y observación d epersonajes. El señor feudal del pueblo dice, tras la violación, "no lo hemos hecho por vicio, sino por política".

Seen again after reading Melville: all wich is freedom of time,explanation on whaling, relaxed structure in the book; in Huston is narrative conomy, selection of best lines.

Noel Coward's patriotic service, high standard, not one yellow fellow but Attenborough who is redeemed by death. Perfect exercise for Lean. Nice lines, best of all, Celia Johnson about ship before woman and family. Nice touches on low and middle classes homes.

Gets better with the 'coup d'art' in the Museum. Otoole and Hepburn are big glamour and comedy stasr when such a thing was fading. Nice gag the atatue replaced by a bottle of wine.

So much talk, and essays, and theory about this films, that one almost misses its human but tolerable sadness, its frivoluos touches, its turistic relax, its sexy humour (Sanders not sleeping with the prostitute and with handicapped Maria Mauban), its happy ending.

As enchanting and rich in details and 'humanly nechanic' as one of those playful clocks in Eastern Europe churches. ¡What a cast! Each actor enjoys his lines.

As enchanting and rich in details and 'humanly nechanic' as one of those playful clocks in Eastern Europe churches. ¡What a cast! Each actor enjoys his lines.