Reviews by fernando

It lacks the charm and stilized naiveté of fantasy comedies. Ava is alluring but not sexy enough. She look better with gowns than with the venus's robe. Walker is to childish.

Tracy eats the cast and the film, and he has great and furious dialogue. Weak Gene, in spite of good lines in reply to Tracy's desire. Brown is ok in the intimate scenes and in the epic.

Affected Zurlini, Delon is a wild, fresh, but nervous and romantic and generous character going around with presumably deadly Petrova. Zurlini coud be dense and intellectual as Antonioni, while being somehow vulgar. Gianini and Randone are the best.

Minor Lang because its whimsical plot, but with nice touches, when good Milland confronts its justified paranoia. The nightmarish plot turning patriotic war effort is predcitable but can´t expect anything else for a 1944 film.

Minor Lang because its whimsical plot, but with nice touches, when good Milland confronts its justified paranoia. The nightmarish plot turning patriotic war effort is predcitable but can´t expect anything else for a 1944 film.

Great epic sense, alternated with sweet but blood England tradition. Richardon is great in every scene, is dramatic even remaining quiet.

Rare for Hollywood standards. Losey in crash course with censorship. It´s imposible to wash the pasional adulterous, sick romance. Evelyn Keyes, ¡an underrated actress¡,barefeet says all about sex. The noirish tones are kinf of washed, maybe because of plain phto and supporting cast, and music. The end in ghost town Calico in hard to believe, but tolerable.

A surprise. The best of Guillermin. Subtle plot of ambitious and corruption transversal to high and low classes. Germany is doomed in its pretty heroes. Great aerial photography. Perhaps Jeremy Kemp is the only gentleman. Good ending supported with Mason acting. Úrsula and Peppard are ok, because they underact

A predictable drama court, even in its ambiguity. BB is guilty but proves the jury is wrong when distrust her suicidal attempts. Clouzot dissapears in the conventional sexy flahsbacks plot. BB dancing nude under the sheets, for Sammy Frey, is the highlight.

A color blockbuster for french standards, importing Gina from the south and Quinn from Hollywood, but honoring Hugo in dialogues and massive scenes. Cuny is excellent as Frollo, murmuring his lascive repression. Gina is pure lust, Quinn is ok.