The Last Time I Saw Paris (1954) review
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(YT) Reckless and romantic characters, tres Fitzgerald, tres parisiens; self destruction at its best. Van Johnson is convincing and Liz is learning...
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The Night review
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(MU) Pure long shots by Ming-Liang, so alike to his long features, no characters just downtown at night...with tempo in car and people moving...
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McQueen review
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(MU) The right testimony of a troubled short creative life. McQueen goes from selfasuring savage rupturist designer to unsufferable diva; his friends and victims talk, and the shows talk great for themselves. Lovably the model in white being painted by two machines...
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Fruits of Passion review
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(MU) Terayama in shangai whoresploitation, with Kinski amusing himself (well, half the film is grumpy) as voyeur and fucker. The heroine is a lousy actress, Dombalse is better and the wasted pretty chinese boy...
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A Night of Knowing Nothing review
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(MU) Nice texts, even in its apparent lack of order, but poor quality of images in black and white. The alobi of being illustrations of an epistolar text is not enough...
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A Última Vez Que Vi Macau review
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(MU) Joao Pedro with text and personal story of Joao Rui Guerra, thriller and essay, tragic and noir but without seeing the main characters. Just seeing Macao with the colonial nostalgia of cool portuguese...
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The Doll's Revenge review
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(YT) Black humour, against a heavy boy, less baroque than Melies, with seems more realist in its fantastic subject...
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Morrer Como Um Homem review
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(MU) Joao Pedro is the best portuguese director alike, even better than affected Miguel Gomes. This is a wide melodrama, mythical in the last trip of Tonia and Rosario (the scale in the home of the trans is so) , moving, excellent in each close up...
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Falling Leaves review
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(MU) So moving little story, the fallaing leaves in the backgrund and in the mind and action of little girl believing she will save her sister's life tying them to a tree; makes you forgive the forced happy end and the anticipated texts...
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Les sept péchés capitaux review
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(OK) More than sins are human weakness satyrized, good approach for Godard mocking Constantine tired to lace his shoe or undress to have sex with a star; de Broca making chaotic and constumbrist eating out of death travel and rituals; Chabrol mocking a whore de luxe; Molinaro with the sexy Dany Saval, Demy having culture and imaginatuon of lust (Terzieff and Trintignant good pair). Ionesco a disaster destroying earth sans humor...
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