Reviews by fernando

(OK) In 1945 Italy nobody coud be objective, here we see the process of chief of police Caruso, the women crying for her sons assasinates in Fosse Ardeatinne...

(OK) Surprisingly good ol Flayerty making amneds betwenn an oil driller and nature, there's no ecological dimension here, just friends and animals, an poetic framing of nature...

(OK) A pity, the director of "The haunting", just for evoquing his only terror film, had to make this. The argument and the dialogues are lousy. Marsha dignifies her character, Beck is lousy; not even Hopkins is ok

(OK) Atmosphere, drama, way ahead feminism, god locations, the house amongst ruins and the semi destroyed walls of the town....the night before the depart of the visitor is almost a choreography of gestures and paces...

(OK) Low key, love space thriller of 3 and a robot; somo idiot plots, but Douglas is excellent figthing and almost killing Keitel. Good set design...

(OK) A lesser Wise, sensitive romance between an ethic desertor gool man Fonda and cynical star model Lindsay Wagner, But she is passionate and he tender, so rmance is 'wisely' strong...Wise gets disracted in Morocco and Paris landscape...

(OK) Fires were started and currentluy running in London, so heorics on firemen were welcome. Jennings builds its tale scenmatically, make them play and sing and act with some stereotypes, but has power in the action moments...

(YT) Europeans were way ahead Deren, in surrealism expression. But here is Los Angeles modenity, house design, light, ryhmic corporal movements, clothing. The feminist side is more innovative or meaningfull...

(OK) As elegant and rich in direction as 'Kane', but less ambitious, more natural and fluent. Splendour and decadence as theme and social backgrounds, informs the best stories. Besides that, the richess of each character, Agnes Moorehead jealousy and repentance for instance....

(MU) Rigth, simple, minimalist and effective as a toy story with orphan boys, just place between choral and protagonism...