Reviews by fernando

La historia en buen equlibrio con la introspección a Unamuno, sus miedos, silencios y valentía última. Unamuno bien reivindicado contra Franco y contra los rojos. Buenos caracteres de no tan segunda como Millán Astray. Y Salamanca en su esplendor.

The same shameful for police and society world of "Memories of muerder", once again disabled are guilty, buy here is a true guilty, and a guiltier troubled fantastic mother.

The grace is in details, each character has some. The guilty/innocent poor men, the violent police who tackles everybody, the karaoke sequence...

Don't like the distribtion of characters, so schematic; but everything else is ok, even manin father character, later understood by his bro and sis when fights and adopts a boy...

More tongue in cheek than other adventures, Quentin could be a Douglas Fairbanks character; with spies and long fighting sequences, even one, fantastic, on fire.

Viva Thorpe. He knew how to put MGM apparatus to work. Here there´s wonderful battles and battlefield landscpae. Ava is mortal as Guinevere, ans Maureen Swanson is so Audrey Hepburn like...

Melvillian drama, beginning in New Bedford, with whalink background, but leaving whales while focusing on tension between Taylor and great Granger...

A strange menage a trois, Tracy is in kind of love with Gable and Loy understands it; bur rather talks of a figurative girl in the sky. Just before Wizard of Oz and Gone wiht the Wind, Fleming alone, made this aerial civil drama

It begins so stereotyped in Argentina, with papagayos and mexican órales, that was irritating. And frivolous, But thats the point, with the war the story switches to resistance, and the acting is so correct. Boyer has better moments than in most of his later films...

The real locations, including the Mount Sinai monastery, adds to the otherwise conventional yarn. Taylor is way ahead of Indiana jonesy Heston in "Secret of the incas", but makes a good complement to Eleanor...