Reviews by fernando

Pattinson and his character enlightens the entime movie: nothing goes well with him, everybody is seduced by him. The black girl in almost fantastically almost convincingly driven by him with just a kiss.

A bit monotonous in its kmer rouge horror, but ends quite well with the girl measuring her step in the jungle full of mines.

I love it, the farest you can reach now with a genre. This is Rosemary and I walk with a zombi (the other black Kaluuya finds in the reunion) revisited.

So light, so futile, so corny, so ryhtmic and musical and sexy Ansel Elgort; that violence stays in second place.

Period adaptation a bit heavy (as Emma Stone wig), but a good story on genres and lesbianism, with touches of american 'costumbrismo'.

Im reconciled with Lanthimos. Surreal disabled adolescence, and a conventio nal competitive marriage of doctors and sensational kid Barry Keoghan; I like in spite of the ending.

It goes out of Arronofsky's hands. It begins with a 'Rosemary baby' subtlety pretension and ends as a bad Argento movie. Ed Harris and Pfeiffer are the best of all.

Churchill, his witt and his whisky state of mind, is a common place. Awful ending with the people in the subway; but some fine moments when he doubts and hesitates and has to listen to Chamberlain (very good Ronald Pickup) and Halifax.

Stubborn Ladd is ok. Shangrila in the dessert is a bit corny, and Conte is a not enough powerfull bad man. Dahl is beautiful but she is a poor actress.

One of those good films of rebel without a cause adolescent before leaving home and going to NY. Laurie Metcalf as the frustrated and envious mother, affected because of Lady Bird lying about her origins, and his boyfirend gayness, are good bonus.