Reviews by fernando

Surprised and hot at this imposible paradise of clothing optional and free gay sex in the wilderness. Imposble because something has to go wrong, there's a serial killer in rampage after having very good fuchs with the hero. The speech of the police claiming concern and solidarity because 'one of you has been killed'is basic to inderstand the film.

You can feel the 'poetic of gore' in the scene with the gilr in the car crying blood, spitting and throwing her insides. Good location Savannah as is explained in the extras

You can feel the 'poetic of gore' in the scene with the gilr in the car crying blood, spitting and throwing her insides. Good location Savannah as is explained in the extras

Yes, I'm convinced by Di Carpio in every secene. The best are when he 'orays' his philosophy to the arousing masses in the office. The financial mob of capitalism at its emotional hegiths. Great secen between Di Caprio and the FBI agent in the yacht.

The best of the last Allen's. All the film is over the shoulders of Cate Blanchett and her overhuman, clinical ways to stay rich and exquisite. Woody doesn't allow Cate to breath, always has to lie and simulate. Great scene in the fight between her sister and her boyfriend, Cate answering the phone. Maybe she can breath in the secen where she goes out with her nieces.

You can feel the ´poetic of gore´in sme moments: when the girl in the car begins throwing her blood form the eyes and ends throwind her insides. Savannah in a good location (its explained in the bonus) for this neo gothic americana italian Fulci gore.

It has something, in spite of his schematic distribution of characters. The scenery is almost abstract, the fort in ruins, the pass, the indians coming ans dying as ants. The only point values and valorization is what Peck think of the troopers and they about him. But you can´t accept their expeditive redemption and heroicity,

Hedy is so radiant (even at his late 30s) that you forgive her delivering so solemn texts of repent. Mature is a natural brute. De Mille founded the perfect alibi to be sexy. Sanders amuses himself and has the best lines.

Corbucci copies Leone so well that seems to reach similar results by coincidence. But Corbucci is less poetic and more efectist tan Sergio. Nice idea the coffin with the machine gun and the colourful saloon contrasted with the dry plains.

Farhadi and his shock of cultures inside the same culture, because they all are easterners en Paris.No one has the reason or the last word, and everything is alterd with a big mistake that doesn't erase the guilt.